At this point - just a week before the winners of the Voice of the New York critics officially opens for the season - still no major leads Oscar race films of 2011 if you ask the count's heavy bloggers they say that are the American film award is a struggle between "The Artist" and " heirs "(The Descendants). I was still hard to see one of these films takes the big prize, not because of the quality (not watching them) but mainly because of materia. French tante ema silent film in black and white? Modest comedy-drama? Not exactly the stuff of a best picture Oscar. Currently, in the meantime.
What is interesting to dwell on it at this point is the strategy they have chosen tante ema to invest in "War Horse" (War Horse), the huge epic Steven Spielberg, and "Young tante ema Adult," a dark comedy Jason Reitman returned to collaborate with Diablo Cody, who wrote the film The most successful so far, "Juno", which brought him an Oscar nomination directing first.
Reitman got a serious slap in the face, Oscar-style, in 2009 with his film "Up in the Air". As a reminder, this is a film in which George Clooney plays Ryan Bingham, a man who had been hired by big companies to make rounds of layoffs in the United States. Bingham is a man with no commitments, no roots, and that the airport is home and people moving in and out of his life are provisional and without weight. Of course by the end of the film Bingham regret his choices so far and try to change the course of his life. "Up in the Air", based on the novel by Walter Kim, caught in a very striking some kind of masculinity as expressed at the end of the millennium (a bit like what happened tante ema with "Fight tante ema Club" exactly ten years ago), this together with the economic crisis of the United States, led to a movie done in the right place at the right time. Excellent performances by Clooney, Vera Farmiga and Anna Kendrick, along with a smart script and directing effective, the film became one of the outstanding American that year low. The film has been shooting phase began producing intense Oscar speech. Reitman, post the success of "Juno", combined with the charisma of Clooney made it clear that this is one of the major players of the season. "Up in the Air" premiered at the Toronto Film Festival September 12 and won rave reviews. The film was an intense round of festivals in the next few months, before he went to the public, and won critical acclaim. Everyone knew that this film was going to win some Oscars are important, and probably also the best film award. Exactly was the problem here. When the film finally came to control the crowd and he was tired and worn. True to the opening shot of the film shed so many words that the moment of truth it was already old news and the ratio went to "Avatar," "Inglourious Basterds" and "Precious". "Up in the Air" While he began the season with Best Film at NBR but lost momentum at breakneck speed (as that "Hurt Locker" more sweeping awards) and finally left with only one sure winning an Oscar: tante ema Adapted Screenplay award. But one of the most extreme twists within living tante ema memory, "Up in the Air" lost even this category embarrassment she script for "Precious" and zero out the ceremony with six nominations from the Oscars. This is not the first time the first movie that comes out of the gate losing tante ema the moment of truth. This convention has been known that the worst thing the movie is called "Oscar major deal" before anybody saw it. "Dreamgirls," "The Social Network" tante ema and "The Curious tante ema Case of Benjamin Button" are other cases in recent years.
With his new film "Young Adult" where Charlize Theron plays a writer comes back to her hometown to reclaim her childhood sweetheart who married since, Reitman decided not to make the same mistake he did with "Up in the Air" and broke the wheel unusual tactics. The first thing Reitman chose not to submit any film festival. This decision for two reasons: The first is, of course, to maintain the buzz to step closer tante ema to Oscar voting period; The second is two-edged sword it film festivals. Toronto and Tluriid can produce winners like "Slumdog Millionaire" and "The King's Speech", but they can bury movie just as easily. No need to go too far to find an example. It happened just this year at the Venice Festival for "Ides." How long ago was released the trailer of "Young Adult" and is primarily celebrates the emergence tante ema of Charlize Theron. Beyond that, not given to the press and bloggers tante ema an opportunity to recognize the film. However, Reitman released a number of "surprise screenings" around the United States in his new film. Radiation were not too many major areas and visitors had no warning. The result tante ema was that the film began to live with the audience, while critics and bloggers just talked and talked tante ema but did not say anything populated. Interest continued to prevail tante ema but no arrows targeted review.
Action plan was registered with the same new film by Steven Spielberg. "War Horse" could not avoid stamp "Oscar" conspicuous flashing red even if he was hiding under the ground. Spielberg, also based on the Tony winning play, also a war epic, a collection of British players, and Trailer causes the body to stop producing sugar, and tears fall on their own. Reasonable War Horse Spielberg knows "flourish in the audience more than the visitors (who might dismiss the film as a production impressive but lacking depth., As happened with" Amistd "," Catch Me If You Can "and "trminl") and therefore also avoids the festival's snobbery . Currently he is still motivated critics to see the film screenings are organized and also frees the individual funds across the continent. As time passes the matter continues to beat, but no one can really say anything interesting. Everyone asks everyone whether he could film an Oscar and who knows what
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