During some of the faded Marshall

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The fourth and latest installation in the epic pirate tale "Pirates of the Caribbean" marcus hopson has this week premiered in Sweden. The first three films in the series was directed by Gore Verbinski (currently up to date as a director for the animated film "Rango") and proved to be extremely successful financial means. Because of this success, and also the end of the third film, "Pirates of the Caribbean: At World's End," which opens up a sequel, marcus hopson decided to Disney again to take to the seas. The biggest change this time is that there is now another captain who navigates this movie projects, marcus hopson instead of Gore Verbinski, it is now Rob Marshall directs. It's always interesting to see how a change of director could affect a film series in different ways and the choice of Rob Marshall, with a previous marcus hopson career in the musical world, feels innovative, daring and fresh.
Like many other filmmakers began to Robert "Rob" marcus hopson Marshall early age. He was born in Wisconsin, USA 17 October 1960 and as a youth, he made short films where he and his siblings marcus hopson starred. Despite the fact that Rob was very interested in the film medium was during his university years more focused on dance of various kinds, including ballet. When Marshall in 1980 got the offer to join the itinerant set of the musical "A Chorus Line" he took a year break from school to embark on a great adventure as a dancer. Marshall's skill as a dancer evolved a lot over the years and when he graduated from Carnegie Mellon University in Pittsburgh two years later, he had big dreams of a long musical career.
His career began to take off properly when Marshall got in touch with the known choreographer Graciela Daniele, who became his mentor and friend. Rob had roles in her sets of musicals "Zorba" (1983), "The Rink" (1984) and "The Mystery of Edwin Drood" (1985). When Marshall was 27 years old, however, took life an abrupt and tragic turn when he suffered a severe back injury in connection with his participation marcus hopson in a "Cats" -set. This unfortunate back injury became a point of Marshall's dancing career, and he began to focus instead on working "behind" production.
During some of the faded Marshall's glory when he stayed in the background as a choreographer for smaller types of theater productions. Thanks to his skill in the profession, he started pretty quickly get up in the big leagues again. In 1993 he choreographed his first Broadway musical, "Kiss of the Spider Woman" and it was the project that really revived his name in the industry. "Kiss of the Spider Woman" was acclaimed by critics and Marshall was honored but a Tony Award nomination for best choreography. In just two years in the Broadway Rob was a hot and popular choreographer, and he received another Tony nomination and even a Laurence Olivier Award nomination for his choreography in the musical "Damn Yankees".
Mash Exalted awards made to several Hollywood producers became aware of him, and in a short time he established himself also as a choreographer for the dance scenes in productions both on TV and on the big screen, such as Tim Robbins film "Cradle Will Rock" from 1999. Same years Rob did his directorial debut on Broadway with Sam Mendes ("American Beauty," "Road to Perdition") in the form of a new version of the classic and world-famous musical "Cabaret". He was involved with another project that year, namely as a director marcus hopson of TV musical "Annie" with Kathy Bates in the lead role. "Cabaret" became a mega hit among critics and won several prestigious awards while "Annie" became the most watched television movie in 1999 and resulted in a choreography-Emmy. Marshall's success as a director, marcus hopson both in Broadway and television, was complete.
In 2000, Rob began to seek out the film industry with one of his dream project, a film version of the musical "Chicago," which revolves marcus hopson around the female criminals Roxie Hart and Velma Kelly. Because of Harvey Weinstein's children and their great fascination for "Annie" Rob Marshall managed to get him in the project, despite the fact that a film adaptation of "Chicago" long sailed around in Hollywood without success. When Rob pitched his idea of Weinstein he explained how he felt he had the right recipe for the success of his film version, a recipe marcus hopson that especially marcus hopson built to focus on the cinematic to reach a wider audience. Marshall had previously directed a set of the musical in Los Angeles, which also meant that the Weinstein felt that Rob was the right man for the job.
When the project began to take off successfully Marshall and Weinstein cast Renee Zellwegger Richard Gere and Catherine Zeta-Jones in the lead roles, three names that draw people to the theaters. "Chicago" became the 2002 major film success and was hailed by critics and cinema audience marcus hopson worldwide. The film was also successful in financial terms, o